But the set-up is more grating than charming, especially in contrast to Richardson and Hardy’s lived-in performances of two organically connected people. Jamil regularly supplies them, from the number of travelers at JFK on 21 December to the lovers’ respective heights. The framing makes sense, given the source material – compensating for the awful surprise of cancer, Oliver leans heavily on the cold objectivity of statistics. Really just depends on who you’re talking to,” says Jamil as fate itself in one of her various disguises (fellow JFK traveler, a flight attendant, customs agent, bus driver) poking in on the nascent couple. Bad luck and mistimed near-kisses and mistakes ensue the two lose track of each other in customs before they can seal the deal over text, leaving serendipity and impulsivity to save the day. The two meet in a candy-colored version of JFK airport, where a missed flight, a dead phone and a broken seatbelt lead to adjacent seats on a flight to London – Hadley for a wedding she dreads, Oliver for his mother’s memorial with his Shakespeare enthusiast father (Dexter Fletcher) and his eccentric younger brother Luther (Tom Taylor, the film’s jester in a green sprinter van). At 32, Hardy is slightly less convincing as a 22-year-old college student, though his Oliver is entrancingly quick-witted, vulnerable, and bruised by the return of his mother’s (Sally Phillips) lung cancer after over a decade of remission. Her Hadley Sullivan, a 20-year-old, still chaotically dressed NYU student headed to London for her recently divorced dad’s (Rob Delaney) Christmastime wedding, is no different, an easy and charming presence even if she is perennially distracted and has a cosmic inability to charge her phone. Richardson, perhaps best known for her recent turn as a frazzled and chaotically dressed assistant on the second season of The White Lotus, specializes in a type of warm-blooded, disarming character whose anxieties course just beneath her skin. And what it loses to too Netflix and too twee – scenes awash in neon pink light, Jameela Jamil’s winking, pedantic narration of facts, figures and fate – it gains in two winsome, strikingly naturalistic performances from its magnetic leads.
Directed by Vanessa Caswill from a screenplay by Katie Lovejoy, the film, based on the book The Statistical Probability of Love at First Sight by Jennifer E Smith, doesn’t belabor the point of corny but heartwarming romance.
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Just don't skip out on all the best fall activities in favor of an all-out movie marathon (frolicking in pumpkin patches and apple orchards are not to be missed).Love at First Sight, in which Haley Lu Richardson and Ben Hardy play two star-crossed strangers who meet-cute on an international flight, is the type of breezy, comfort-food film that should be 90 minutes and, thankfully, is. So, pile up under a knit blanket, heat up some apple cider, and get in the autumn mood with these fall movies. We've made it easy to watch with links directly to the streaming platforms where these movies live. From football favorites (Remember the Titans, Friday Night Lights) to slightly sinister flicks the kids will love ( Coraline) to 1980s rom-coms ( When Harry Met Sally), there's something for everyone and then some. Whether you're looking for a family Halloween movie, a Thanksgiving flick, or a back-to-school (or back-to-field) drama, we've rounded up over 50 of the best autumn movies for your viewing pleasure. No wonder so many movie directors and producers want to capture that energy on-screen, which means there is no shortage of fall movies that perfectly encapsulate the essence of autumn when you have a hankering for a fall movie night. Can you feel it? From pumpkin spice everything to cozy sweaters and leaf peeping, there's just something magical in the crisp autumn air.
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